About Me

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Brooklyn, NY
I'm a multi-instrumentalist, vocalist, songwriter, composer, and audio engineer. I play and teach guitar, keys, bass guitar, and I really wish I could find time for drums. I earned a Bachelor of Music degree and a Master's in Music Production and Technology from Berklee. I was born in Texas, schooled in Boston, and now live in Brooklyn where I'm working as a private guitar and piano teacher, a freelance composer, a sound editor/mixer, and a writer/performer. My latest project is a psychedelic british blues punk rock n roll outfit called Sneaky Legend.

e: natemorganmusic@gmail.com

Wednesday, December 2, 2009

Music for Documentary Film

This is one of a few cues that I wrote and produced for Brownstones to Red Dirt, a documentary that premiered in NYC in November.

Turnaround - original film music cue by nato


Electronic

This is a track that I created with Reason using a lot of customized synth sounds and sequenced beats.

untitled by nato


Piano music

This is a short piece for 3 pianos that I wrote, performed, and recorded- probably inspired by Philip Glass.

pianos by nato


Vocals/Acoustic (cover)

This is "Motion Picture Soundtrack" by Radiohead- I arranged it for acoustic guitar, performed and recorded it live.

motion picture soundtrack- cover by nato


Electronic (cover)

This is a drum and synth track that I sequenced for a cover version of "Idioteque" by Radiohead.

Idioteque by nato


Action/Game Music

This is music that I wrote for a kind of montage "preparing for battle" scene- perhaps Hans Zimmer inspired. I used Logic and EastWest's orchestral sampler. I wrote this piece for an orchestra of the size used in the early-romantic period. I sequenced each note and percussion hit individually using a large array of orchestral samples. It features a number of percussion instruments including a scraped tamtam or gong @ 1:38, creating a haunting ambient effect.

Battleprep by nato


First Project - film music cue

This is my first personal attempt to write, sequence, and produce music intended for film. I chose Danny Elfman's title music for Edward Scissorhands as a source of inspiration, and his original score is included in the second pass for comparison. I wrote, sequenced, and produced the music using Digital Performer and the Mach Five sampler. The major elements I used were the choir aah's and the celesta to evoke a dream-like fantasy.